Andrew Goodwin Research

Andrew Goodwin, a member of the Editorial Board of Popular Music and Society for almost 20 years, passed away on 10 September 2013. Andrew was a professor of media studies at the University of San Francisco for 20 years. He received his PhD in cultural studies from the University of Birmingham, England. A Corresponding Editor for Media, Culture & Society, he wrote music and book reviews and other articles for Tricycle and Inquiring Mind. He wrote songs, played guitar and drums, deejayed for KUSF, and played in bands. His blog, “Professor of Pop,” combined his enthusiasms for music, theory, and teaching.

https://www.tandfonline.com/doi/full/10.1080/03007766.2014.883131

Andrew Goodwin was a director of music and a media theorist. Upon spending his years analysing and developing upon music videos and their production, he published a book entitled Dancing In The Distraction Factory. This book told the audience all of the theories he believes reside inside music videos. He came up with some codes and conventions that he states are most typically found in every music video that has been uploaded.

Genre Characteristics

Music videos more often than not, include a demonstration of typical genre characteristics. And certain genres will have specific codes and conventions. For example if you were to watch a music video of a live performance, nine times out of ten its a rock or metal video, this is so the audience get an idea of the amount of energy they put into their music and just by watching the music video they see a demonstration (e.g All My Life by Foo Fighters)

Also film genres can link into this as they can have a huge impact on producing music videos, for example a lot of rock videos get inspiration from horror movies and the horror genre. 

He stated five key setups for a music video that help to analyse it

-Stadium Performance

-Studio Performance

-Location

-Narrative

-Conceptual/ Experimental

The stadium performances, as mentioned, are mainly used for rock music to highlight the enthusiasm and (with the use of close ups) the physical endurance. But studio sessions are more stripped back, usually used for sad and meaningful songs that will show the artist in a more vulnerable state. 

Voyeurism

There are frequent references to the notion of looking and the voyeuristic treatment of both genders in a sexual manual in order to sell records. This can also include the use of props, for example items such as TV screens, telescopes, binoculars or mirrors.

Record Label Demands

Record labels often have certain high demands, that can include things such as close ups of the artist or require a certain theme or style that recurs across their work. (For example The 1975 with their black and white era that portrayed them as sad indie musicians in order to bring in the teenage crowd that have a disposable income)

Intertextual References

This point is the use of other texts (such as films, TV shows, other music videos) within a music video. (e.g The Kill by 30 Seconds To Mars and their video inspired by The Shining) This can bring in an audience that are fans of the interxtual reference but also gives more depth to the production and shows there has been more thought behind it